Ticket Prices

$8 General Admission

$6.50 Students & Seniors

$5 Cinema Center Members

$4 Senior & Student Cinema Center Members

$3 IPFW & St. Francis Students w/ID

$2 Indiana Tech Students w/ID

 

 

The Artist     10 Oscar Nominations including Best Picture
Hollywood 1927. George Valentin (Jean Dujardin) is a silent movie superstar. The advent of the talkies will sound the death knell for his career and see him fall into oblivion. For young extra Peppy Miller (Berenice Bejo), it seems the sky's the limit - major movie stardom awaits. The Artist tells the story of their interlinked destinies. "96% Fresh."-Rottentomatoes.com "4/4 Stars. In many ways - in all ways - "The Artist" is a profound achievement."-San Francisco Chronicle. ""The Artist" is the wonder of the age, as much a miracle as "Avatar," though it comes at things from the totally opposite direction."-Los Angeles Times. "Grade A-. As it opens, we're watching an audience watch a silent adventure film, and in a funny way we spend the rest of the movie watching ourselves get swept up in conventions we can see through."-Entertainment Weekly. "Illustrates the movie medium's deathless pleasures."-Wall Street Journal. "The Artist encapsulates everything we go to movies for: action, laughs, tears and a chance to get lost in another world. How can Oscar resist?"-Rolling Stone. 100 min., Rated PG-13.

 

Take Shelter
Curtis LaForche (Michael Shannon) lives in a small Ohio town with his wife Samantha and six-year-old daughter Hannah, who is deaf. Money is tight, and navigating Hannah's healthcare and special needs education is a constant struggle. Despite that, Curtis and Samantha are very much in love and their family is a happy one. Then Curtis begins having terrifying dreams about an encroaching, apocalyptic storm. He chooses to keep the disturbance to himself, channeling his anxiety into the obsessive building of a storm shelter in their backyard. But the resulting strain on his marriage and tension within the community doesn't compare to Curtis' private fear of what his dreams may truly signify. Faced with the proposition that his disturbing visions signal disaster of one kind or another, Curtis confides in Samantha, testing the power of their bond against the highest possible stakes. "Nichols has a genius for making landscapes and everyday objects resonate like crazy, for nailing the texture of dread."-New York Magazine. "A riveting genre blend of thriller, domestic drama and supernatural horror propelled by a brilliant lead performance."-Hollywood Reporter. "93%Fresh."-Rottentomatoes.com. "4/4 Stars. Here is a frightening thriller based not on special effects gimmicks but on a dread that seems quietly spreading in the land: that the good days are ending, and climate changes or other sinister forces will sweep away our safety."-Roger Ebert. 120 min., Rated R.

 

My Week with Marilyn

In the early summer of 1956, 23 year-old Colin Clark (Eddie Redmayne), just down from Oxford and determined to make his way in the film business, worked as a lowly assistant on the set of 'The Prince and the Showgirl'. The film that famously united Sir Laurence Olivier (Kenneth Branagh) and Marilyn Monroe (Michelle Williams), who was also on honeymoon with her new husband, the playwright Arthur Miller (Dougray Scott). Nearly 40 years on, his diary account The Prince, the Showgirl and Me was published, but one week was missing and this was published some years later as My Week with Marilyn - this is the story of that week. When Arthur Miller leaves England, the coast is clear for Colin to introduce Marilyn to some of the pleasures of British life; an idyllic week in which he escorted a Monroe desperate to get away from her retinue of Hollywood hangers-on and the pressures of work. “Michelle Williams plays Monroe, and she's a wonder.”-Entertainment Weekly. “Brilliantly playing doomed '50s sex bomb Marilyn Monroe, Michelle Williams gets under the skin of the troubled yet vulnerable icon in a way no one else ever has.”-New York Post. “What matters is the performance by Michelle Williams. She evokes so many Marilyns, public and private, real and make-believe. We didn't know Monroe, but we believe she must have been something like this.”-Roger Ebert. 99 min., Rated R.